Buy Frank Herbert’s Children of Dune (Sci-Fi TV Miniseries) Online.
December 8th, 2009
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Buy Frank Herbert’s Children of Dune (Sci-Fi TV Miniseries) Online..
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The toughest thing about ‘Frank Herbert’s Dune’, presented on the SciFi Channel in 2000, was that all Dune fans knew, impartial KNEW, there’d be comparisons made between it and David Lynch’s theatrical release. Although the strong casting, new-found special effects and costumes made Lynch’s version a film to be reckoned with, it mild felt unbalanced and lost amidst the deeply textured background world that Frank Herbert created.
The 2000 miniseries gave us more of the actually pages of Dune translated to the veil, but it’s acting, costumes and special effects were lacking.
So, to my surprise, what should appear but a current miniseries with reprising roles and some unusual cast members for Frank Herbert’s Children of Dune on the SciFi Channel. Goodbye comparisons. We entered current screenplay territory since no theatrical version of any other Herbert novels has ever made it out to the public.
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A astonishing presentation, Frank Herbert’s Children of Dune combines the Dune Messiah and Children of Dune novels into this unique miniseries and does so with one beautiful motion. Well, almost radiant.
I don’t know WHY the SciFi Channel feels the need to retain a “titanic name” in these films. William Pain didn’t support the first miniseries with his ‘Hurtful’ acting. Likewise, I felt Mrs. Sarandon did nothing to help in the release of this film/mini. Her character was cardboardish and dreary. No action bright her at all. Nothing that seemed to encourage go the storyline along.
Uncharacteristically (and thankfully) Alec Newman reprises his role as Paul (and the fresh Preacher) and does so with powerfully strong acting (the true opposite of what I saw from him in the modern miniseries) . Julie Cox was fabulous as Irulan, Jessica Krige excellently portrayed an aging Lady Jessica, and James McAvoy WAS Leto II. Jessica Brooks balanced the role of Ghanima perfectly by playing Leto’s twin sister. And Daniela Amavia was P-E-R-F-E-C-T as the possessed and tortured Alia (preborn sister of Paul) . She’s also quite an atractive lady.
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The costumes (thankfully) were also ‘toned-down’ a bit, so the sizable head-dresses and triangular suit attachments are gone. The budget for the special effects were increased (to gigantic advantage) . Loved the worms, the thopters, Alia’s temple. Astounding cinematography utilizing blue screens.
And the Mammoth shocker: the musical accumulate! Brian Tyler! You the man! A just triumph as far as scores go, the music presented in this miniseries is obvious to build the soul fly, or plummet into the Mountainous Erg as appropriately presented by Mr. Tyler’s acquire.
This miniseries is the current 5 star TV production for the SciFi Channel, and rightfully so. A presentation worth owning…on DVD.
If I were to decide the best film adaptation of Dune, this miniseries would procure, hands down. Not because it’s proper to the book, not because of special effects, but it would pick up because entire series is endearing and the performances of the cast are memorable. This production took characters that were hard to represent to because of their super-human abilities and turned them into people we could care about. What sets this treatment of Dune apart from all others is the dynamic performances of the cast.
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Alec Newman, Julie Cox, Barbara Kodetova, P.H. Moriarty, Zuzana Geislerova, and Ian MacNeice reprise their roles as Paul, Irulan, Chani, Gurney, Rev. Mother Mohiam, and the Baron. Even the Newcomers to the cast are: James McAvoy as Leto II, Jessica Brooks as Ghanima, Daniela Amavia as Alia,
Alec Newman *owns* the role of Paul in CoD. While his performance seemed shakey at times in Dune, he embodies the majesty of Muad’Dib and convincingly portrays the fraction of a tormented monarch in this sequel.
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Julie Cox steals the demonstrate away everytime she appears. Some complained that the script took (major) liberties concerning Irulan–mainly by giving her more appearances and lines than the book ever afforded her, and making her more likable–but I say anything that gives Julie Cox a chance to appear on conceal to flex her acting muscles is a safe decision. She plays a very convincing imperial princess with her body language (she has probably the best posture I’ve ever seen, but she absolutely shines portraying a fiery personality trapped by her status in life.
As with Alec Newman, Barbara Kodetova reprises her role with considerable more maturity than in the first series. In CoD, Alec and Barbara both advance abet with stronger performances and better chemistry.
Speaking of chemistry, however, there was so remarkable of it between the actors playing the twins it was astonishing to me that they weren’t dating in genuine life. James McAvoy, in particular, brings so great spirit and warmth to his role that he brought much-needed levity to the role of Leto by adding humor and warmth to his performance. Jessica Brooks brings thoughtful, pensive Ghanima to life respectably well. It should be renowned that the twins are portrayed as teenagers in the miniseries, which I believe a wise decision to gain them more relatable and easier to spy for first-time viewers.
Though I had loved Saskia Reeves’ Jessica, Alice Krige takes a turn in Lady Jessica’s shoes very well. She fleshes out the piece of the Atreides matriarch and delivers a very reserved performance, which is befitting the cautious Jessica in the book. Edward Atterton (who played Arthur in TNT’s ‘The Mists of Avalon’ and has appeared on shows like ‘Firefly’ and ‘Alias’) plays a wonderfully convincingly warrior-mentat. Daniela Amavia’s gut-wrenching, explosive performance as Alia was highly racy to sight, and her last scene brought so grand more emotion to the events than the book afforded it. Daniela, Alice, and James came together so well in Alia’s last scene that many people who saw it were teary-eyed after watching it–it had me in tears. The book, however, didn’t reach anywhere approach that level of emotional impact.
I conception Susan Sarandon’s performance was tolerable–nothing great–but I judge it is unfair to blame her. She was horribly miscast. In a display where almost everybody had an accent of some sort, Susan’s thoroughly American accent was completely out of location. Add that on top of the fact that her performance wasn’t as strong as some of the others, and no wonder she’s being singled out as the traditional link. She’s impartial not at home playing a science-fiction villain.
As far as costumes, special effects, and props go, I enjoyed each of them immensely. The costumes are collected a bit quirky, but they are worthy more subdued and realistic than what they were in CoD’s predecessor. Where as the costumes in Dune were downright ‘kooky,’ the clothes in CoD could be considered ‘fasion.’ The special effects were very well done for a television feature. ‘The Voice’ was grand cooler in CoD, with soft growls and whispers overlapping over each other on top of the warped speaking to provide a richer, more majestic ‘Voice’ better capturing what it was in the book. The glow-in-the-dark blue eyes are traded in for more subdued blue eyes that are intellectual without looking radioactive. Everything comes together and molds comfortably with the situation create, which boasts soft, warm colors and lighting that build the places leer like they exist in a perpetual sunset. Indeed, the overall recognize is a very beautiful one.
The accurate star of the exhibit, however, was the gather. Brian Tyler offers compositions so energetic, exquisite, and fair to hear that he gives Arrakis the heart it sometimes lacked in the book. As with Tolkien and his Lord of the Rings, the spot and the characters sometimes were a microscopic dry when it came to honorable ol’ fashioned emotion. This production would not have been what it was without its music. Brian Tyler does for CoD what James Horner did for Broad and what Howard Shore did for the Lord of the Rings. Towards the slay of the first installment of CoD, a montage of events play out to a song Tyler created called ‘Inama Nushif,’ and my husband heard the television and wandered from his room to approach scrutinize what I was watching because he said the music was, in his words, “so wintry.”
What this adaptation does with its casts’ tour de force performances and Brian Tyler’s soaring bag is execute Children of Dune and its characters relatable, memorable, and human, and that is why it was such a resounding success.
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