Buy Last Exile: The Complete Series Box Set Online.

December 10th, 2009

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Last Exile is one of those anime series that’s been floating around for a few years now that I repeatedly made mental notes of considering while shopping. With commercials and trailers that hinted to some kind of early-avionics days adventure, it looked engaging enough but always seemed to win passed by for some flashy-boxed mecha OVA or gritty, modern-day plot series. Now that Funimation has picked up the Geneon property in its entirety, my days of putting off Last Exile have finally near to an raze and let me unbiased commence by saying I should not have wasted so noteworthy time getting into this anime gem. But before I accept too far ahead of myself, let’s select a moment to discuss the packaging and physical presentation.

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Last Exile the Complete Series consists of 26 episodes across 4 discs and comes packaged in a stylish cardboard slipcase containing a pair of thin packs. The artwork is stunningly appropriate, with a purposely-weathered survey that includes the yellowing of the parchment and near-black & white quality to the portraits. Archaic images of the pilots, decked out in their antiquated flight gear, standing proudly before their weathered open-cockpit aircraft have a peruse about them that unprejudiced nails the spy and feel of the early 1900s.

Coming in at a total runtime of 625 minutes, Last Exile wears a very conservative TV14 rating. This is nearly general audience material with a diminutive hint of adult undertones (war and aerial combat) but the indicate contains no loyal violence, suggestive scream, or unsuitable language worth parental difficulty. Like actual wars, some characters (even beloved by the destroy) do lose their lives to the cause. However, Last Exile is never graphic in its portrayal of death nor does it glorify themes of violence.

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Language options are solid with the modern Japanese dialog perfectly preserved (English subtitle option) and an English dub that can truly be called satisfactory of the extraordinary scope presented within.

Last Exile is the product of the revered Gonzo Studios and made its broadcast debut over Japanese airwaves help in 2003. I mentioned earlier that the artwork (and note itself) go a long device to accurately picture what we judge the early days of humanity’s aviation experience (assume barnstormers from The Golden Age (1918-1939) ), however the events presented choose position entirely in a fictitious world called Prester and while the culture habiting this world appears nearly identical to that of our have early 1900s, there is more to the legend than what initially appears.

The planet’s surface-dwellers are basically divided into two factions: The Anatoray and the Disith. The Anatoray most closely resemble our definition of unique society (so mighty so in fact that our main two protagonists happen to be members of this group) while the Disith, though similar, are a bit more archaic in nature (reflect fighting with spears and shields) .

However the two feuding nations like a flash scrutinize that they piece a celebrated bigger threat in the manufacture of the vastly technologically good elf-like alien hasten orbiting the planet known as the Guild. Separating the aliens’ massive battleships from the people living below is a patch of never-ending spoiled weather called the Astronomical Stream. I should also mention that it is this violent storm that keeps the surface-dwellers living in perpetual darkness with the minimal of natural resources (including orderly water) .

The core of the account is told from the perspective of a pair of orphaned teenagers who gain a living as curriers from the cockpit of their deceased fathers’ beat-up vanship (this would be the equivalent to our dilapidated biplanes) . However gasoline engines and massive wings to effect seize are foregone in this world in favor of a thought called the Claudia engine, which somehow operates on a system of pressurized blue-glowing fluid.

The narrative really picks up when our appropriately likable duo (Claus and Lavi) extinguish up taking on a mission to scream a shrimp girl named Alvis to the captain of a warship called the Silvana.

Fans of my reviews may have noticed that I strive to not give away too considerable of the site in my critiques because, after all, if you already know the entire narrative, what’s the purpose of bothering with the exhibit? Instead I like to method comparisons to other works to attach a sense of what makes the series worth viewing. That said, Last Exile could best be described as a blend of Star Wars, a Tom Clancy current, and maybe even a cramped touch of cultural intricacy found in Star Dart. Now I realize that sounds like a lot of space-movie comparisons but earn no mistake, Last Exile borrows only from the better traits of these titles. There are moments of vanship racing that really ring of the pod speed sequence in Episode One, the Phantom Menace. There is no shortage of military strategizing on an absolute great (and quite flawless) scope throughout. There’s a bit of romance and comedy spread across an absolutely massive cast that is surprisingly easy to retain separate.

Pacing is unprejudiced spectacular once you build the slightly slow-going rhythm of the first few episodes. However the show’s greatest strength lies in its presentation: Subtleties such as lighting and sounds are consistent and often subliminally set mood more effectively than many big-budget Hollywood feature films.

Gonzo’s reputation as being one of the premiere anime studios comes through in this work in the effect of flawless shifting of scale throughout the sage arc. In other words, the yarn starts out a petite, personal anecdote of a pair of children struggling to bag their status in the world, expands to record an unthinkably massive war for survival between a planet and its invaders, then tightens to become a personal affair in the waste. There is an air of confidence in Gonzo’s pacing and presentation that simply invites viewers to let go and trust in their ability to inform their legend and in this case, that faith pays dividends.

Last Exile is a simply beautiful anime work that starts to narrate its charm visually but continues to dazzle by doing nearly everything right; pacing, scope, sound work, sage depth, science integration, nail biting action, lovable cast, it’s all here and done to perfection as only a seasoned studio like Gonzo could pull off.

This is must-see anime in the purest sense of the view and kudos to Funimation for refusing to allow such a well-constructed title to hasten through the cracks.

Gonzo is a studio that has had a very diverse range of shows that it has made but Last Exile is by far the best, and one of the best animes out there. It has a steampunk comely which always adds a hint of mystery and romance to the setting, which is astronomical considering the place requires honest that. It is an uplifting record with a lot of heart, definite to beget novel and stale fans alike like.

Warning: This anime actually has region, character development, and depth. This is not for folks that want plenty of blood and guts fights, sword and sorcery, and/or fan service from unrealistically proportioned female characters. This is one of the classiest shows out there.
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Buy Promises Blu-Ray at Amazon.

December 9th, 2009

Buy Promises Blu-Ray at Amazon.. Buy Promises Blu-Ray at Amazon..

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I objective want to add my speak to the other reviewers who praise Promises. Their descriptions will give you a ample opinion about the films contents so I’ll unbiased say, this is a very inviting and informative film. Most of my reviews are from the stand-point of a middle school teacher looking for materials to spend in my class. This film is outstanding! It’s the type of lesson you’ll be wrathful to mumble. If you are looking for something to exercise to sight and learn about Israel and Palestinian relations win this DVD. I notion the length of the DVD would lose my students. I was wrong– they stayed engaged through the whole film (about 3 class periods) .

If you gain in your heart that, despite every hurdle, peace is possible between the Israelis and Palestinians, this film will have you with hope and wonder. That’s not to say it’s rosy - the children depicted in the film often show madden and intolerance, but the mere act of recognition between the children of these two warring groups is enough to inspire faith in their futures. This film is a fine document of a precious, gallant and tenuous experiment on the allotment of the filmmakers. May we all have the courage to try to guide the next generation into a more mild, more notion world.

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If 50 stars were possible, this film would have earned every one. Catch ways to piece the message with those you know, and those you don’t. We must near together, and aid our Jewish and Arab brothers and sisters, however possible!
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Buy Frank Herbert’s Children of Dune (Sci-Fi TV Miniseries) Online.

December 8th, 2009

Buy Frank Herbert's Children of Dune (Sci-Fi TV Miniseries) Online.. Buy Frank Herbert’s Children of Dune (Sci-Fi TV Miniseries) Online..

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The toughest thing about ‘Frank Herbert’s Dune’, presented on the SciFi Channel in 2000, was that all Dune fans knew, impartial KNEW, there’d be comparisons made between it and David Lynch’s theatrical release. Although the strong casting, new-found special effects and costumes made Lynch’s version a film to be reckoned with, it mild felt unbalanced and lost amidst the deeply textured background world that Frank Herbert created.

The 2000 miniseries gave us more of the actually pages of Dune translated to the veil, but it’s acting, costumes and special effects were lacking.

So, to my surprise, what should appear but a current miniseries with reprising roles and some unusual cast members for Frank Herbert’s Children of Dune on the SciFi Channel. Goodbye comparisons. We entered current screenplay territory since no theatrical version of any other Herbert novels has ever made it out to the public.

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A astonishing presentation, Frank Herbert’s Children of Dune combines the Dune Messiah and Children of Dune novels into this unique miniseries and does so with one beautiful motion. Well, almost radiant.

I don’t know WHY the SciFi Channel feels the need to retain a “titanic name” in these films. William Pain didn’t support the first miniseries with his ‘Hurtful’ acting. Likewise, I felt Mrs. Sarandon did nothing to help in the release of this film/mini. Her character was cardboardish and dreary. No action bright her at all. Nothing that seemed to encourage go the storyline along.

Uncharacteristically (and thankfully) Alec Newman reprises his role as Paul (and the fresh Preacher) and does so with powerfully strong acting (the true opposite of what I saw from him in the modern miniseries) . Julie Cox was fabulous as Irulan, Jessica Krige excellently portrayed an aging Lady Jessica, and James McAvoy WAS Leto II. Jessica Brooks balanced the role of Ghanima perfectly by playing Leto’s twin sister. And Daniela Amavia was P-E-R-F-E-C-T as the possessed and tortured Alia (preborn sister of Paul) . She’s also quite an atractive lady.

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The costumes (thankfully) were also ‘toned-down’ a bit, so the sizable head-dresses and triangular suit attachments are gone. The budget for the special effects were increased (to gigantic advantage) . Loved the worms, the thopters, Alia’s temple. Astounding cinematography utilizing blue screens.

And the Mammoth shocker: the musical accumulate! Brian Tyler! You the man! A just triumph as far as scores go, the music presented in this miniseries is obvious to build the soul fly, or plummet into the Mountainous Erg as appropriately presented by Mr. Tyler’s acquire.

This miniseries is the current 5 star TV production for the SciFi Channel, and rightfully so. A presentation worth owning…on DVD.

If I were to decide the best film adaptation of Dune, this miniseries would procure, hands down. Not because it’s proper to the book, not because of special effects, but it would pick up because entire series is endearing and the performances of the cast are memorable. This production took characters that were hard to represent to because of their super-human abilities and turned them into people we could care about. What sets this treatment of Dune apart from all others is the dynamic performances of the cast.

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Alec Newman, Julie Cox, Barbara Kodetova, P.H. Moriarty, Zuzana Geislerova, and Ian MacNeice reprise their roles as Paul, Irulan, Chani, Gurney, Rev. Mother Mohiam, and the Baron. Even the Newcomers to the cast are: James McAvoy as Leto II, Jessica Brooks as Ghanima, Daniela Amavia as Alia,

Alec Newman *owns* the role of Paul in CoD. While his performance seemed shakey at times in Dune, he embodies the majesty of Muad’Dib and convincingly portrays the fraction of a tormented monarch in this sequel.

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Julie Cox steals the demonstrate away everytime she appears. Some complained that the script took (major) liberties concerning Irulan–mainly by giving her more appearances and lines than the book ever afforded her, and making her more likable–but I say anything that gives Julie Cox a chance to appear on conceal to flex her acting muscles is a safe decision. She plays a very convincing imperial princess with her body language (she has probably the best posture I’ve ever seen, but she absolutely shines portraying a fiery personality trapped by her status in life.

As with Alec Newman, Barbara Kodetova reprises her role with considerable more maturity than in the first series. In CoD, Alec and Barbara both advance abet with stronger performances and better chemistry.

Speaking of chemistry, however, there was so remarkable of it between the actors playing the twins it was astonishing to me that they weren’t dating in genuine life. James McAvoy, in particular, brings so great spirit and warmth to his role that he brought much-needed levity to the role of Leto by adding humor and warmth to his performance. Jessica Brooks brings thoughtful, pensive Ghanima to life respectably well. It should be renowned that the twins are portrayed as teenagers in the miniseries, which I believe a wise decision to gain them more relatable and easier to spy for first-time viewers.

Though I had loved Saskia Reeves’ Jessica, Alice Krige takes a turn in Lady Jessica’s shoes very well. She fleshes out the piece of the Atreides matriarch and delivers a very reserved performance, which is befitting the cautious Jessica in the book. Edward Atterton (who played Arthur in TNT’s ‘The Mists of Avalon’ and has appeared on shows like ‘Firefly’ and ‘Alias’) plays a wonderfully convincingly warrior-mentat. Daniela Amavia’s gut-wrenching, explosive performance as Alia was highly racy to sight, and her last scene brought so grand more emotion to the events than the book afforded it. Daniela, Alice, and James came together so well in Alia’s last scene that many people who saw it were teary-eyed after watching it–it had me in tears. The book, however, didn’t reach anywhere approach that level of emotional impact.

I conception Susan Sarandon’s performance was tolerable–nothing great–but I judge it is unfair to blame her. She was horribly miscast. In a display where almost everybody had an accent of some sort, Susan’s thoroughly American accent was completely out of location. Add that on top of the fact that her performance wasn’t as strong as some of the others, and no wonder she’s being singled out as the traditional link. She’s impartial not at home playing a science-fiction villain.

As far as costumes, special effects, and props go, I enjoyed each of them immensely. The costumes are collected a bit quirky, but they are worthy more subdued and realistic than what they were in CoD’s predecessor. Where as the costumes in Dune were downright ‘kooky,’ the clothes in CoD could be considered ‘fasion.’ The special effects were very well done for a television feature. ‘The Voice’ was grand cooler in CoD, with soft growls and whispers overlapping over each other on top of the warped speaking to provide a richer, more majestic ‘Voice’ better capturing what it was in the book. The glow-in-the-dark blue eyes are traded in for more subdued blue eyes that are intellectual without looking radioactive. Everything comes together and molds comfortably with the situation create, which boasts soft, warm colors and lighting that build the places leer like they exist in a perpetual sunset. Indeed, the overall recognize is a very beautiful one.

The accurate star of the exhibit, however, was the gather. Brian Tyler offers compositions so energetic, exquisite, and fair to hear that he gives Arrakis the heart it sometimes lacked in the book. As with Tolkien and his Lord of the Rings, the spot and the characters sometimes were a microscopic dry when it came to honorable ol’ fashioned emotion. This production would not have been what it was without its music. Brian Tyler does for CoD what James Horner did for Broad and what Howard Shore did for the Lord of the Rings. Towards the slay of the first installment of CoD, a montage of events play out to a song Tyler created called ‘Inama Nushif,’ and my husband heard the television and wandered from his room to approach scrutinize what I was watching because he said the music was, in his words, “so wintry.”

What this adaptation does with its casts’ tour de force performances and Brian Tyler’s soaring bag is execute Children of Dune and its characters relatable, memorable, and human, and that is why it was such a resounding success.
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Buy Ten Little Indians DVD at Amazon.

December 7th, 2009

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First off, I’m a colossal Christie fan, and Ten Dinky Indians is my approved of her stories. This is a solid, delectable retelling of the account, though it lacks the top drawer quality of the 1939 novel. The entire 39 cast was terrific. This one has some vast performances, some competent ones, and some laughably terrible ones. Standout in this cast are Wilfrid Hyde White as the Believe, Stanley Holloway, Daliah Lavi, Shirley Eaton, and Hugh O’Brian. Equally poor are Fabian as the playboy, and the butler, can’t remember the actor’s name. The butler delivers some lines as though he’s sleepwalking, and overacts at other times. I don’t consider I’m giving too worthy away by saying that Fabian’s performance is so over-the-top grating that’s its a relief when he’s the first character to topple.

Other enthralling developments-though unruffled tame by today’s standards, this version has considerably more sex and violence than the recent, in which most of the bodies were kept offstage. In this one, most of the murders occur on camera, including one in which a character plummets to their death in a cable car, a spectacular development not in the book. Indeed, Christie’s murders were usually very super, a gun, a knife, poison. Not something as pure Hollywood as this. The fact that this death also bears no resemblance to the nursery rhyme, a key situation point in all versions of the record, doesn’t seem to bother the screenwriter at all. Oh well.

One other engrossing change-the spinster character of the book and recent movie is changed here and in the other remakes to a glamorous actress. Although Christie purists will probably be upset, I don’t contemplate it did any distress, particularly since I enjoyed Daliah Lavi’s performance.

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All in all, this production is flawed, but quiet absorbing and well worth seeing, especially if your a Christie fan. Not as safe as the 39 version, and grand better than the God-awful 1975 and 1989 remakes.

8 people are invited to a remote mountaintop chalet by their host U.N. Owen; two people are already there as the butler and cook. Once there they fetch that their mysterious host has accused each of cancel and commences to dispatch the guests in the order of a song of Ten Exiguous Indians. Finding that they are gash off from the outside world they must fetch Mr. Owen and neutralize him before they are all dispatched.

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All the clues are present; can you detect whodunit and why?

Pretty well acted version of an Agatha Christie classic. Everyone remembers the standard movie version the was made “And Then There Were None” (1945) with Barry Fitzgerald. Several other attempts were made such as “And Then There Were None” (1974) with Elke Sommer and even one movie with the current book title “Ten Miniature Niggers” (1949) with John Bentley.

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This version with Hugh O’Brian as Hugh Lombard even keeps worthy of the dialog and is with adding to you Agatha Christy collection. Many of the actors are well-liked and will be recognizable design similar plays. The Converse of ‘Mr. Owen’ is Christopher Lee. The only annoying allotment is the constant intrusion of sixties music by Malcolm Lockyer. The helpful fraction is that the most rank actor gets bumped off first.

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Saint Seiya - Ultimate Sacrifice Review At Amazon.

December 5th, 2009

Saint Seiya - Ultimate Sacrifice Review At Amazon.. Saint Seiya - Ultimate Sacrifice Review At Amazon..

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Okay ADV told me that indeed they do not have permission to release any more saint seiya episodes, but, fans can serve out by contacting “Toei”. Toei is the one that grants permission to release saint seiya dvd’s. So please everyone email them, they have a website you can log on (I am not determined of the URL but you can google it) . please people probably all of you spent lots of money gettign the 12 volumes of an UNFINISHED saga. and if this works out who knows we might even acquire the Hades saga and even better we might acquire the Zeus saga. please email them PLEASE not unbiased for you but for everyone who is a apt fan of saint seiya.

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In volume 12 we finally near at the house of Virgo. In this house we explore one of the most memorable battles of the entire Sanctuary saga. The series fair keeps getting more and more intense the closer we net to the final fight.

With 5 episodes on each disc, a substantial dub and no editing I have been very impressed with ADV’s handling of this classic series. However, it now seems that this might be the final volume. How can they lead us on for 12 volumes and then ditch us a few episodes before any sort of closure.

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I’d recommend this series to objective about anyone, especially due to the gross effect and the overall immense treatment, however if they don’t effect off the series then I’d say objective accumulate the japanese or HK dvds because there’s nothing worse than being ditched a few episodes before the waste. So e mail ADV and let them know.
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Indiana Jones and the Kingdom of the Crystal Skull Review At Amazon.

December 4th, 2009

Indiana Jones and the Kingdom of the Crystal Skull Review At Amazon.. Indiana Jones and the Kingdom of the Crystal Skull Review At Amazon..

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I cherish the first three Indy films. Like so many others I was greatly looking forward to seeing a original one. I view (or hoped) that the very long time they took to reach up with a script meant they were polishing it to a smart shine. After seeing the movie, I do it was really a long negotiation between Lucas, Spielberg, and Ford, with some of them keen to earn a crappy movie, and some of them not, with the extinguish result being crappy, but perhaps not as crappy as it might have been.

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The movie started with a bit of promise (other than the infantile CGI prairie dog) . I’m not as offended by the nuclear fridge scene as many are, because I know those mock towns weren’t built at Ground Zero (or they would have been vaporized) . They were built at a distance to think the conclude of the blast on places some miles from the explosion. So while it’s not credible for Indy to survive being tossed around that remarkable, he didn’t exactly survive a nuclear explosion. Some of the other early scenes, such as those where Indy is actually discovering something, are also apt.

Still…

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About halfway through the movie, despite my alive to desire to like it, I realized it unprejudiced wasn’t working for me. No suspense. No proper sense of urgency or misfortune. Gross stakes. Too many marginal or pointless characters. Too considerable cartoon nonsense going on, far less believable than anything from the previous films (the dead monkey vine swinging, Marian’s idiotic tree-driving stunt, the multiple waterfall drops…none of it scary, none of it remotely convincing, or even fun) . Marian’s long-awaited vast pronounce was one of the biggest, flattest duds in film history. She shows up and spends most of the rest of the movie impartial tagging along with a dazed grin on her face like she was objective grateful to be there, a flaccid dishrag compared to the character from the first film. Not Karen Allen’s fault…she was objective thrown in for nostalgia’s sake, and was poorly written. Mutt was actually not a dreadful character, but I don’t need or want him to be Indy’s son. Is there any worse cliche in fiction than the Son He Never Knew He Had? I realize Spielberg and Lucas are fascinated by father issues, but I’m not. And then there’s the whole point of the movie…the skull and the aliens…ehhhh. Who cares? The finale was a muddled jumble of flashing lights and wind that meant nothing and evoked nothing but tedium. Remember at the ruin of the previous films, where the characters actually seem to gawk that something wonderful has happened, were even panicked, or traumatized impartial a limited bit (okay, not so mighty in Crusade, where they speedy shake off any aftereffects and devolve into slapstick and lose all interest in their surroundings) . Not this time. The giant flying saucer takes off, and Indy and his massive crew of sidekicks commence cracking jokes.

I’m inclined to blame Lucas for most of this mess. He’s made a habit of lapses of taste and judgement since…hmm…”Howard the Duck”?

I don’t want to look this movie again, and I don’t want to absorb it. I hope they don’t effect another, because these guys have proven they no longer have what it takes.

What a mess this movie was. Excellent to survey Indy again but you can utter from the open that Lucas had approval over this script after rumors he threw out so many better scripts out the window (Frank Durapont anyone? ) .

Indy surviving nuclear blasts, Rodents coming up from the ground and grinning at the camera, Shia LaBouf swinging from vines in a jungle with Monkeys and hardly any Marion. She barely has anything to say.

Then you net the ending which comes out of a different movie.

Suspending Disbelief is one thing but you gotta check your brain and taste at the door for this one.

Lets hope they don’t manufacture any spinoffs with Indy’s kid.
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Buy Classic Albums: The Band - The Band Blu-Ray at Amazon.

December 4th, 2009

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With the unusual remastering and re-releasing of the burly Band canon, interest in one of America’s greatest musical acts has never been higher. This is as proper a time as any to lift up a copy of “The Band,” one in Rhino records series called “classic Albums,” which documents the making of classic albums. (other dvd’s include the Wailers, the Who, and the Grateful Plain) This dvd documents the classic lp “The Band” from 1969.

Filled with vintage footage of the Band in rehersals, as well as interviews with Robbie Robertson, Levon Helm, the reclusive Garth Hudson, and the slow Rick Danko, “The Band” chronicles the making of this fantastic album, focusing on the disparate musical influences- country, bluegrass, rockabilly, dusky R&B, rock n roll, and folk/Americana- that led to many of guitarist/vocalist Robbie Robertson’s greatest songs.

The surviving members at the time of this documentary (made in 1997-pianist Richard Manuel had died in 1986) add their have anecdotes to the music, giving the songs new colors and life. Levon Helm, Robbie Robertson, and Garth Hudson (the most kindly surprise on the dvd taking into story his well known reclusive nature) add to the fun by playing some of the tunes based on their perspective, offering running commontary as they go. Add to the Band’s perspective those of Eric Clapton, (who wanted to join the Band at one point) George Harrison, Elton John’s lyicist Bernie Taupin, and producer Don Was, and the cup of greatness runneth over.

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The performances, including “The Weight,” “Rockin’ Chair,” “I Shall Be Released,” “The Unfaithful Servant,” and “King Harvest (Has Surely Approach),” as well as a touching tribute to the leisurely Richard Manuel, develop the dvd all the more principal to fans of the Band. The music is timeless, the interviews vintage, and the performances sparkle as they never have. That makes this dvd one to have in any collection.

R.I.P. Richard Manuel and Rick Danko

If you care for The Band (is there such thing as a casual Band fan? ) you MUST occupy this! There is some repetition of the usual stories, such as Clapton telling us his ‘Big Pink’ anecdote, but others are novel and gripping. Also, there are solo tidbits that will smash your heart. Robby doing Dixie, and Rick, God rest his soul, doing When You Awake. Absolutely notable.
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What you need to know about Expunge Record Florida

October 8th, 2009

If you are looking to expunge record Florida might have some requirements.  A lawyer can help you sort through these requirements and help you to have things completely removed from your permanent record.  You may be able to do this on your own, but an attorney frequently holds the data to do that efficiently and swiftly.  

There may be many things you want to do before you try and get anything removed from your record.  Regularly you have got to complete all the wants of your sentence and this includes any community service you were ordered to complete.  You also have to make sure that all your fines or restitution is paid in full and you have explanation of this.  

There could also be a time frame before you can get something expunged from your record.  A lawyer should be familiar with the laws in Florida and is going to be in a position to tell you if there's any waiting period before you can have something removed.  

The last thing that you need to bear in mind is that you'll wish to stay out of the criminal system to get your record expunged.  If you commit the same crime you could be unable to get the prior crime removed.  You also need to be sure that you do not do anything else that may put you into the system to guarantee that you're going to not be denied.  

To expunge record Florida may require that you use a lawyer.  If you find a good attorney, your record might be restored in no time.  
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